Enrollment Crisis? What Would Barry B. Benson Do?

Many colleges struggling with enrollment are likely facing not one but three core challenges, ranging in severity from bad to worse to worst.

Before I continue, an important aside:  I finally got an ant tattoo.

Why?

Because no one listens to me.

Ever seen Bee Movie? That animated film with Jerry Seinfeld as Barry B. Benson? There’s a moment when Barry, exasperated that no one’s paying attention to his story, blurts out, “I can say anything I want right now. I’m gonna get an ant tattoo!”

Absurd? Sure. But also relatable. Especially in higher ed marketing, where being unheard sometimes feels like the default. So whether you’re listening now or not—I’ll proceed anyway.

(For the record, the ant tattoo wasn’t a midlife crisis. It was a long-running family joke. My wife and daughter got one too. Think less existential despair, more shared eye-roll—and a tiny reminder that sometimes you have to laugh before you buzz on.)

The initial and most basic challenge is that many colleges have spent substantial time, money, and effort focusing on solutions that didn’t address the true problems. This is reminiscent of the bees in Bee Movie endlessly chasing a flower-shaped air freshener on a speeding car — an effort that looks like the pursuit of nectar but yields no honey.

  • The colleges’ problem wasn’t their data or analysis—though it’s ironic that institutions teaching research methods and critical thinking too often fail to implement them in their marketing. (Oh, the logical fallacies I endured.)
  • It wasn’t their student search strategy, name buys, or predictive models.
  • It wasn’t their search engine marketing, digital ads, billboards, or pre-roll YouTube spots.
  • It wasn’t their website’s design, navigation, SEO, or “Apply Now” button placement.
  • It wasn’t their customer relationship management system or their content management system.
  • It wasn’t their email flows, customized publications, personalized videos, or telemarketing and text messaging campaigns.
  • It wasn’t their fonts, colors, logo, tagline, or brand style guide.
  • It wasn’t their social media platforms or the interns posting “fun facts” every Friday.
  • It wasn’t their admissions representatives or enthusiastic student tour guides.
  • It wasn’t their open houses, campus visit programs, or VIP tours.
  • It wasn’t the consultants hired to audit or fix recruitment practices.
  • It wasn’t their application—no matter how short, simple, or mobile-friendly.
  • And no, it wasn’t their use of AI—though it’s a helpful co-author of this piece, and a multitasking marvel that can also segment audiences, personalize communications, analyze enrollment data, and even suggest which shade of red makes prospective students click “Apply.” (ChatGPT wrote that.)

These are tools rather than solutions–just busy bees buzzing around chasing every little tactic while missing the big, sweet flower garden that actually fuels the hive.

While tactics matter, true progress demands inspiration and clarity of vision.

While colleges were committing their limited resources to the tactical activities above, they’ve missed the real problem: Their product (including place and people), packaging, promotion, and price are not nearly attractive enough, and that is wreaking havoc on their efforts to stand out in an overcrowded higher education market.

Product

Colleges are special because the college experience is special. But the hard truth is this: most colleges aren’t exceptionally special. Not in a way that stands out. They offer what nearly every other college offers—happy students, supportive faculty, and graduates who go on to do well. They offer academics, athletics, internships, study abroad, research opportunities, residence halls, a campus coffee shop, time-honored traditions, and so on.

What colleges lack is a truly distinctive product—programs, experiences, or characteristics that are both rare and powerfully appealing. Without the prestige of highly ranked colleges or the drawing power of flagship universities, colleges are just another school in a crowded field.

Packaging

The way colleges package their offerings is just as uninspired as the offerings themselves. If it’s hard to differentiate on product alone, then the bold move is to repackage it in a way that catches the eye of an otherwise indifferent audience.

Take this example: years ago, I was conversing with an academic dean at a college that had decided to phase out its traditional January Term (J-Term) and instead expand summer opportunities. However, with no real leadership in place to establish a clear positioning, the branding defaulted to “May Term”—a generic label borrowed from other institutions, although most of the programs didn’t start or end in May.

I proposed that the college package these engaged summer learning experiences as the [College Name] Summer Experience—a unified platform that could include internships, research opportunities, and global study programs. It had the potential to feel fresh, intentional, and expansive.

Instead, the dean opted for Summer Term—a term even more generic than May Term. When I questioned it, I was told, with an air of academic disdain, “After all, we are an educational institution.” That’s the problem. Summer Term sounds like required or remedial classes in overheated classrooms—nothing aspirational, nothing distinctive, nothing memorable. And certainly nothing that would excite a prospective student or set the college apart.

Promotion

College marketing campaigns are gawd-awful boring. Their brand personality is milquetoast. If your story isn’t truly distinctive, then how you tell it had better be. You need metaphor, humor, surprise, imagination—anything that breaks through the noise and makes the indifferent care, even for a moment.

However, the people making the marketing decisions have no real understanding of the challenges at the top of the enrollment funnel. They haven’t sat across from prospective students and families, walked the halls of high schools, built relationships with counselors, or stood for hours at college fairs watching disinterested students drift past on their way to the big-name booths—flagship universities and highly ranked, well-endowed colleges.

Yet somehow, those campus leaders are brimming with confidence about how things should be done. “If only admission did a better job of telling our story,” they say.

I once heard a college administrator recommend that marketing report to advancement because, as it was argued, “It’s the only office that works with an external audience.” The irony, of course, is that advancement deals almost exclusively with loyal alumni—the most internal of external audiences. Admissions, meanwhile, is out there every day trying to capture the attention of people who don’t know the college, don’t care about the college, and are provided with little inspiration to move from indifferent to intrigued.

Price

Without the other three differentiators, colleges are left competing on price—and that’s a losing game. No new discount matrix, tuition reset, or rebranded scholarship will fix the problem. No one cares what a college costs if they’re not interested in it to begin with. And even if they are interested, colleges struggle to lower the price enough to convert that interest into real commitment.

For many, it is too late.

Colleges saw the demographic cliff coming. Everyone did. And yet, for many colleges, enrollment struggles began before the downturn. Still, confidence—and an unshakable belief in the high quality of their product—led them to dismiss the urgency of the warnings.

For many colleges (based on higher education job boards), the solution was hiring a new vice president of enrollment, and then a new chief marketing officer. Then they replaced them. And then they replaced those replacements. These new thought leaders wrangled a bigger marketing budget, swapped vendors, tested new tactics, added billboards, removed billboards, and (once again) redesigned the website.

None of it worked. They’ve now settled into the “new normal enrollment,” which might soon be replaced by the “even newer normal enrollment.”

Why?

Because those are not the real problem.

And no amount of tactical shuffling can cover for that.

If you’ve made it this far, either you’re listening—or you’ve got an ant tattoo, too. So here’s what to do about it:

1. Rethink Your Product

Stop assuming your core offering is good enough. Conduct a brutally honest audit of your academic programs, student experiences, outcomes, and differentiators. What do you offer that’s:

  • Rare?
  • High-value?
  • Undeniably attractive?

If the answer is “not much,” invest in creating or elevating student experiences that are. Traditionally mission-driven organizations must make market-driven decisions. That might mean launching a high-demand academic pathway, embedding guaranteed internships (see Northeastern University, where my daughter is a senior, for something extraordinary), or building unique experiential learning that aligns with what students and employers care about. Require departments and programs to add rare and attractive features and offerings. And, remember that academics is only a part of the reason students are attracted to the college experience.

2. Repackage with Intention

If your product can’t be radically different, then the packaging must be. Design matters. So does naming, framing, and storytelling. Your goal is to make even familiar things feel new, intentional, and impossible to ignore.

Ask these questions:

  • Does this offering look and sound exciting?
  • Would a 17-year-old care?
  • Would a parent get it without explanation?
  • If not, start over. Use the language of possibility, not process.

3. Tell a Story Worth Hearing

Your promotion isn’t failing because you don’t have good people—it’s failing because you’re playing it safe. Safe is invisible. You think promotion is about persuading and informing, when it’s initially and most importantly about inspiring and engaging.

Effective marketing in higher ed requires:

  • Bold storytelling
  • Real emotion
  • Humor (yes, humor!) and metaphor
  • Visual punch (Ogilvy on Advertising is still relevant)
  • And enough surprise to earn a second look (that’s a big and growing challenge)
  • Invest in people who know how to reach an indifferent audience—marketers who think like creatives, not committee chairs. And empower them to take smart risks.

For one viewbook, I painted a classic one-piece desk bright red—the college’s color—and sent it across campus, the country, and the world to showcase student learning: from a classroom and an orchestra concert to a zoo internship (yes, with a student feeding an elephant from the chair) and study abroad in London. The bold, memorable campaign was later replaced by a viewbook as forgettable as the experience it implied.


In another campaign, I turned the large floating raft at the college’s beach into a stage to showcase the college’s offerings. The four sides became the four years of the college experience and the raft became a platform featuring vignettes from campus life: a classroom, a choir concert, a basketball game, study abroad in China, a dorm room, and many more. The audience loved it—but the college, despite the buzz, retreated to the safety of the mundane.


I built an expansive and unmatched virtual tour featuring engaging 360-degree videos. The college has since migrated to an expensive, uninspiring, off-the-shelf product used by scores of other colleges. Same story. Same platform. Different college.


I sent our team around the region to connect with prospective students and families while delivering care packages featuring items unique to the college. We took photos of our deliveries and posted them to social media. Our external audience loved it. Our internal leadership didn’t seem to share their enthusiasm.


You need to create a buzz. Buzz marketing matters because it grabs attention in a way traditional strategies often can’t. Like Barry in Bee Movie, who had to do something unexpected to be noticed, colleges must break out of their predictable patterns. In a crowded market, safe and standard won’t generate interest—or applications. Buzz marketing creates curiosity, conversation, and shareability. It turns a college from just another booth at the fair into something people are compelled to talk about.

Furthermore, you need your hive—your community—spreading the word like pollen. Dig deeper into your incoming class to uncover what truly sparked their interest. How did they first hear about you? What made them care enough to learn more? Without the built-in advantage of brand recognition (flagship universities) or brand reputation (highly ranked colleges), genuine interest likely began with a personal connection. While your CRM may point to “first source” or “first inquiry,” don’t over-credit your search campaigns or email blasts for moving students from indifferent to intrigued and interested. The spark almost always comes from something more human—word-of-mouth, a trusted recommendation, or a meaningful experience.

4. Compete on Price and Value—But Do It Strategically

Affordability matters, especially for cost-conscious students and families navigating a crowded, overpriced market. If your price point is a strength, absolutely make it known. But don’t let discounting be your only move. Price may open the door, but value closes the deal. Show prospective students what they get for that price: meaningful academic and personal growth, strong outcomes, access to opportunity, and a community they want to join. Yes, cost comparisons have a place—but only after you’ve made someone care enough to compare. So lead with a compelling reason to look closer, then reinforce your case with affordability that feels like a smart investment. 

Higher education is one of the rare industries where customers are also an important part of the product. The students you attract and enroll don’t just consume your brand—they embody it. Exceptional students become natural brand ambassadors, fueling stronger recruitment and greater success. Through them, you build strong brand islands (schools and communities). That’s why investing in the right students matters. It’s an investment in your product and your brand.

See my Think Again publication for an example of a brochure that communicates affordability and value. A major higher-education vendor circulated it internally as a model of outstanding promotional work.

5. Build a Culture of Market Awareness

Your leadership team must stay connected to what’s actually happening at the top of the funnel. 

That means:

  • Reading inquiry emails.
  • Attending high school visits and college fairs.
  • Listening to focus groups with students who didn’t enroll.
  • Talking to admissions counselors about what they’re hearing.
  • Getting outside your echo chamber.
  • Come to the conversation with modesty and recognize the expertise of your front-line employees.

6. Be Urgent, But Strategic

No, you can’t fix this overnight. But you also can’t afford another year of surface-level changes and rearranged org charts.

Start with these questions:

  • What college would we want to attend if we were 17?
  • What’s one bold move we could make this year to shift perception?
  • What would it look like if we marketed with conviction instead of consensus?
  • Then move quickly. The longer you wait, the fewer options you’ll have.

The enrollment cliff isn’t just a demographic dip—it’s an extinction event for institutions that lack brand recognition, brand reputation, and large endowments, and refuse to adapt. But for those willing to change, differentiate, and market with courage, there could still be hope.

Begin by watching the Bee Movie. Yes, really. Barry B. Benson offers valuable lessons about resilience and creative problem-solving in the face of seemingly impossible odds. He challenged assumptions, refused to accept “that’s just how things are,” questioned authority, broke rules when necessary, and found innovative solutions by thinking outside conventional boundaries.

When everyone told Barry that bees couldn’t talk to humans, he talked anyway. When they said bees couldn’t sue humans, he sued anyway. When they said the natural order couldn’t be changed, he changed it anyway.

Most importantly, Barry understood that extinction isn’t inevitable—it’s a choice. The choice to keep doing what isn’t working. The choice to play it safe when safety itself has become dangerous. The choice to remain comfortable while the world changes around you.

The Delight in Marketing

Advice for Gardeners (and Marketers)

I caught him out of the corner of my eye while pulling weeds along the boulevard—an older gentleman, slowing from a jog on a beautiful August day.

He stopped, looked at me, and asked with surprising seriousness:

“Do you have a minute to talk?”

My stomach tightened. Had I done something wrong?

He pointed toward the perennial bed that blooms from the corner of my small front yard in Duluth.

“Your garden,” he said, pausing.

(Oh no. Did my motion-detecting DeerBlaster sprinkler catch him off guard?)

Then he smiled.

“It brings us so much delight. Thank you. When friends visit from out of town, we bring them here to see Lake Inferior.”

A sigh of relief. Mission accomplished.

That 10’ x 20’ plot—a pond, a flowerbed, a few quirks—had achieved its purpose. It slowed people down. It inspired them to stop, return, comment, and share.

Neighborhood kids feed the fish (and grab a sucker or a dog treat while they’re at it). Two boys run a “shipbuilding company” from behind a hosta, launching their creations into Lake Inferior. And yes, I admit it: I hid a motion-detecting camera in a birdhouse so I could spy on my visitors and share in their joy.


Digging Into Marketing

This little garden doubles as a metaphor for promotion. You can’t inform or persuade unless you first captivate.

Marketers pour wheelbarrows of money into tidy, predictable materials—emails, brochures, ads, slogans, billboards. Neat lawns. Manicured shrubs. Everything just as expected.

But no one stops. No one looks.

In higher education, I see it constantly. I “secret shop” dozens of colleges each year, and my 17-year-old daughter’s inbox is flooded with their mailings. Most of it goes unopened. Email gets ignored. Billboards fade into the background. Social ads are scrolled past. “Apply today!” echoes from every direction—bland and forgettable.

Meanwhile, we obsess over tools and tactics: new CRMs, redesigned websites, custom print runs, SEM/SEO, photoshoots, color palettes, data dashboards. Important, yes. But none of it matters if your audience never notices you.

You can mow your lawn all you like—but if you want people to stop, you need something unexpected, emotional, delightful.


The Lesson

Years ago, a consultant once held up one of my pieces and declared: “Publications do one of three things: inform, persuade, or entertain. This one only entertains.”

She was wrong. A successful campaign must entertain (engage), inform, and persuade. All three.

Chip and Dan Heath, in Made to Stick, nail the formula: Simple, Unexpected, Concrete, Credible, Emotional, Stories = SUCCESS. My little Lake Inferior garden embodies the unexpected, the emotional, the story—and so should your marketing.

It’s not easy. My garden took 16 years of tinkering, trial, and error. Marketing takes the same: missteps, risks, disagreements, and persistence. You’ll face naysayers. Some will never get it. But if you test ideas, take risks, and nurture bold creative work, you’ll grow something worth stopping for.

So keep tending. Try new seeds. Track what blooms. Stand out—or be ignored.

Go big, or stay home.

Notes

I was recently chatting with a colleague—a man with a green thumb for marketing—who reminded me to emphasize that the focus of this post is on promotion, the visible bloom of the much deeper work of marketing.

Gardening, after all, is not the flower. It’s the planning, the soil preparation, the research, the sowing, the weeding, the nurturing, the dirt under your nails—and then, eventually, the blossom. In the same way, marketing is strategy, data analysis, planning, and persistence. Good promotion stems from this foundation.

And yet, as in gardening, you can carefully tend every stage of the process and still fall short if your work doesn’t stand out in a crowded field. Marketing is both science and art—measured and methodical, but also creative and surprising.

Of course, delight doesn’t look the same for every product or service. Whimsy may be perfect for a greenhouse, but it would be out of place for a funeral home. Context matters.

LOOK WHAT I DISCOVERED A related article in Forbes.

FOR GARDENERS Photos from the garden.

CAUGHT ON CANDID CAMERA A few fun videos of the audience via the Lake Cam.

A FUN NOTE A note from a frequent garden visitor.

Additional Explorations in Delight

RaftU Postcards, posters, multimedia, digital and social ads. (Retired campaign)
Explore more: College on a Raft

Red Desk How about we paint a desk red and send it around the campus, the country and the world to showcase the learning experiences of our students? (Retired campaign)
Explore more: Red Desk Viewbook

Big Red Box Kicking up the acceptance letter just a bit. Give your audience a reason to talk.
Explore more: The Brochure and The Box

Responses from the Audience

RaftU Campaign review

Minnesota Public Radio Story (Early drone video work.)

The Importance of Diversity in Community

Stained glass designed by Bronislaw Bak. Church designed by Marcel Breuer. Photo by Paul Middlestaed.

The Rule of Saint Benedict and the role of college admission in DEIJ.

In the sixth century, Benedict of Nursia wrote a rule of life for his fledgling monastic community in Subiaco, Italy. At its heart was a simple truth: the role of the individual within the community matters. A monastery flourishes when each member is honored for who they are, even as all are bound together in a shared life.

Fourteen centuries later, this principle found dazzling expression in the Saint John’s Abbey Church in central Minnesota. There, artist Bronislaw Bak, working alongside architect Marcel Breuer, designed a monumental stained-glass window—at the time the largest in the world. Its surface is composed of hundreds of hexagonal motifs, each a complete and beautiful form, but each dependent on the others to create a greater whole.

Bak’s window is more than an architectural feature; it is a metaphor in light. It embodies Benedictine values: balance, stability, a sense of place—and, above all, the conviction that individuality and community are not opposites but partners. Each hexagon matters. Each belongs. And together, they sing.

Like stained glass, a college community is never static. It glows differently in morning than in evening, differently in fall than in spring. It is, at once, stable and in flux.

That is where admission comes in. In Benedictine tradition, the guestmaster is the one charged with welcoming newcomers to the monastery. In higher education, admission professionals take up that role. We extend the community’s boundaries, seeking not just numbers but people—individuals whose talents, experiences, and perspectives will refract new light across our campuses.

I’ve had the privilege to see this work unfold across the country: in Chicano communities in New Mexico, on Native reservations in Minnesota and South Dakota, in a boarding school for Alaska Natives in Sitka, and in both rural and urban schools from coast to coast. I fondly remember a Chicana student from a small town on the New Mexico–Mexico border; a Dominican immigrant building a new life in the U.S.; a Yup’ik woman from a remote Alaskan village, 500 miles north of Anchorage. Each brought gifts that reshaped the community they joined. Each was a hexagon, whole in themselves, becoming part of something greater.

Admission, Marketing, and DEIJ

Close-up image of stained glass window in Saint John’s Abbey Church

Too often, colleges treat enrollment as a numbers game. But like stained glass, the true beauty of a campus is not measured in quantity alone. It depends on quality—the lived experience of students.

That means the work of admission and marketing cannot stop at promotion. It must extend into the daily realities of students’ lives. Academic programs, campus events, student organizations, even the financial aid office—each must speak to belonging. Each must welcome. For low-income students especially, robust financial assistance is not an extra; it is the very structure that holds the window in place.

Our work demands attention to the full spectrum of DEIJ. Diversity is only the beginning. Without equity, inclusion, and justice, diversity is fragile, like glass without its lead frame. Bak’s window would collapse without Breuer’s honeycomb support; likewise, campus diversity crumbles without the framework of fairness and care.

For admission and marketing teams, this translates into several imperatives:

  • Tell the truth. Be aspirational, yes, but also honest. Students must recognize themselves in our messages.
  • Invest in change. Expanding the borders of community requires resources—both financial and human. Transformation comes with cost, and institutions must choose to pay it.
  • Build trust. Relationships, not billboards, bring students to campus. Staff whose work is to nurture these connections are essential, not optional.
  • Collaborate widely. Admission does not end when students enroll. It continues in partnership with faculty, staff, and student life, shaping the ongoing experience of belonging.
  • Listen deeply. One of Benedict’s most repeated instructions is simply this: listen. To students, to staff, to critics, to communities. Listening is the foundation of hospitality.

Ultimately, admission is not about filling seats. It is about light—about gathering the many colors, shapes, and textures of human experience into something luminous. Each student is a pane, a hexagon, an individual whole. But together, they become a window: a vision of what community can be when it honors both the one and the many.

The role of the individual in a community is a central principle of the Rule of Saint Benedict, a guide written by a sixth-century Catholic monk for the members of the monastic order he founded in Subiaco, Italy.

Fourteen centuries later, the artist Bronislaw Bak (working in conjunction with the architect Marcel Breuer) prominently featured this principle in his monumental stained glass window (at the time, the largest stained glass work in the world) in the Saint John’s Abbey Church in central Minnesota. Bak, an art professor at the associated college, composed dozens of individual, hexagon motifs that interlace to form a whole.

Additional Sources:

The Rule of Saint Benedict
Bronislaw Bak
Marcel Breuer
Saint John’s Abbey Church (PDF)

Creative Samples

I sent a red desk around campus and around the world to showcase the breadth of students’ learning experiences. (Explore more below.)

With more than 20 years of experience leading college enrollment marketing efforts, I’ve accumulated a large portfolio of multimedia content — conceptualizing, writing and designing publications, print and electronic advertisements, virtual tours, and campaign landing pages. I’m particularly proud of the breadth of my expertise and my ability to tell stories with the creativity needed to capture and retain the attention of our audience.

Additional creative samples, presentations, planning documents, and projects available here.

Continue reading “Creative Samples”